tag:blogger.com,1999:blog-6199639988813133332024-02-07T01:35:44.580-08:00Trailers and Interviews for the S.U.R.G.E. Film FestivalTrailers for the SURGE Film Festivalhttp://www.blogger.com/profile/17197361176702069221noreply@blogger.comBlogger223125tag:blogger.com,1999:blog-619963998881313333.post-36533334763130635242013-02-05T11:34:00.001-08:002013-02-05T11:34:55.978-08:00Dreams Deferred: The Struggle for Peace and Justice in Israel and Palestine<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/VAtx1WAJlfM?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<br /><span style="font-size: large;"><b>TRAILER: </b></span><br />
<span style="font-size: large;"><b>Dreams Deferred: The Struggle for Peace and Justice in Israel and Palestine</b></span><br />
<br />
<div class="description_wrapper">
<div class="description " data-expand-tooltip="Click to expand description" itemprop="description">
<div class="first">
Shot on a budget under $7,000 and using only
on-location lighting, a husband and wife team of first-time filmmakers
traveled to Israel and the West Bank to document the nonviolent Israeli
and Palestinian peace and justice movement that has received little
coverage in mainstream U.S. media. While most American audiences
associate the conflict only with war and terrorism, this documentary
highlights the voices, opinions, and actions of the growing number of
Israelis and Palestinians who are struggling to nonviolently end the
Israeli occupation and achieve a just resolution to the conflict. In
addition to sit-down interviews, the filmmakers accompany Israeli
activists to a demonstration against the separation barrier in Bil’in,
take a tour of Hebron with a Palestinian human rights activist, document
their experience during an extended military curfew in Jayyous, and
follow Israeli activists around settlements and new construction in East
Jerusalem. Rather than focusing on one or two personal stories,
audiences will be introduced to several Israelis and Palestinians who
each have their own unique experiences and opinions about the situation,
including former Israeli soldiers and refusers, as well as former
Palestinian militants, and a range of nonviolence activists.
Interviewees express their thoughts about the conflict, including the
obstacles to peace, their reasons for becoming activists, the role of
the U.S., the importance of nonviolence, and prospects for a future
resolution that recognizes the rights of both peoples. Interviews and
first-hand tours reveal perspectives and realities that defy stereotypes
and humanize people on both sides.</div>
<div class="first">
<br /></div>
Produced, Directed, Edited, and Filmed by Jennifer Hitchcock and Vernon Hall<br />
<br />
Website: <a href="http://www.supportisraelfreepalestine.org/">www.supportisraelfreepalestine.org</a><br />
Vimeo Site: <a href="https://vimeo.com/jenniferhitchcock/videos/sort:plays/format:thumbnail">https://vimeo.com/jenniferhitchcock/videos/sort:plays/format:thumbnail </a><br />
YouTube Channel: <a href="http://www.youtube.com/user/DreamsDeferredDoc">http://www.youtube.com/user/DreamsDeferredDoc</a><br />
</div>
</div>
Jennifer Hitchcockhttp://www.blogger.com/profile/05094726919816643430noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-24411527557951763372013-02-03T14:07:00.000-08:002013-02-03T14:09:43.665-08:00INSPIRED: The Voices Against Prop 8 (Official Trailer)<div class="separator" style="clear: both; text-align: center;">
<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/vu_R9D7HLQg/0.jpg" height="266" width="320"><param name="movie" value="http://www.youtube.com/v/vu_R9D7HLQg&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://www.youtube.com/v/vu_R9D7HLQg&fs=1&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<br />
<span class="Apple-style-span" style="color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 17px;">On November 4, 2008 the voters of California passed Proposition 8 revoking marriage rights for same sex couples. The next day in Los Angeles a movement was born.<br /><br />Chronicling several people's lives in the wake of the passage of Prop 8, we meet several people from all walks of life, inspired to action in ways they never dreamed, to a conclusion they never expected. Experience the passionate rallies and defiant marches of the new gay rights movement as it swept through Los Angeles and ignited the world beyond. Intimate interviews reveal all the ways the movement comes together, and the subtle and not-so-subtle ways it can be pulled apart from within. Shot in early 2009, our cast is anxiously waiting for the California Supreme Court to rule on the constitutionality of Prop 8, and preparing for "Day of Decision." INSPIRED: THE VOICES AGAINST PROP 8 goes behind the headlines and propaganda to explore the real people who make up a movement.<br /><br />You will be INSPIRED.</span><br />
<span class="Apple-style-span" style="color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 17px;"><br /></span>
<span class="Apple-style-span" style="color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 17px;">Directed by Charles Gage. Produced by Ian Jude McIntosh & Charles Gage</span><br />
<span class="Apple-style-span" style="color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 17px;"><br /></span>
<span class="Apple-style-span" style="color: #333333; font-family: arial, sans-serif; font-size: 13px; line-height: 17px;"></span><br />
Facebook: <a href="https://www.facebook.com/inspiredmovie">https://www.facebook.com/inspiredmovie</a><br />
Official Site: <a href="http://inspiredby8.com/">http://inspiredby8.com</a><br />
Twitter: <a href="https://twitter.com/INSPIREDdoc">https://twitter.com/INSPIREDdoc</a>Anonymoushttp://www.blogger.com/profile/13588799849656502321noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-54511117877332749082013-02-02T18:15:00.001-08:002013-02-02T18:15:08.780-08:00Twin Exhaust - 2013 Honda CRF450R<iframe allowfullscreen="" frameborder="0" height="270" src="http://www.youtube.com/embed/zeEUTgLAhVk" width="480"></iframe>eddie bauer jrhttp://www.blogger.com/profile/04301527565118990248noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-77182023188815819122013-01-28T01:22:00.000-08:002013-01-28T01:22:47.519-08:00Giving Time to Time<span style="font-size: x-small;">(original title : Donner du Temps au Temps)</span><br />
<b>What is time?</b><br />
<b>In a dream world, how long would life last?</b><br />
<b>What if you had a time machine?</b><br />
<br />
A 52-minute French documentary about an exploration of time through 15 questions and images.<br />
<br />
<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/33822481?title=0&byline=0&portrait=0" webkitallowfullscreen="" width="500"></iframe>
<br />
<b><br /></b>
<b>15 questions attempted to be answered by a shepherd, 6-year-old twins, a 95 year-old man, a martial arts master, a nano-physicist, a novelist, a neurologist, two teens, an archaeological objects restorer, a mother of four, a fireman, a journalist, a midwife, a writer, a singer, a corporate executive and a personal coach.</b><br />
<br />
They answer questions that come up throughout a Man's life by entrusting us with their experience of time passing: their memories, their dreams, their fears, their regrets, their desires.<br />
With novelist Nancy Huston, nanophysicist Harry Bernas, Professor Jean Cambier, singer Sophia Nelson, …<br />
<br />
By Masha Schmidt and Sebastien Brochot, directed by Sebastien Brochot, 1st assistant Polina Skoch.<br />
<br />
<b>Press kit: <a href="http://sebatv.com/temps">sebatv.com/temps</a></b><br />
<b>IMDb link: <a href="http://imdb.com/title/tt2290281/">imdb.com/title/tt2290281/</a></b><br />
<br />
<b>Director's website: <a href="http://sebastienbrochot.com/">SebastienBrochot.com</a></b><br />
<b>Production's website: <a href="http://sebatv.com/">SebaTV.com</a></b><br />
<br />Unknownnoreply@blogger.comParis, France48.856614 2.352221900000017748.6894665 2.0294984000000178 49.0237615 2.6749454000000177tag:blogger.com,1999:blog-619963998881313333.post-1895117701701693032013-01-25T12:15:00.000-08:002013-01-25T12:15:14.234-08:00Mayan Renaissance<div class="separator" style="clear: both; text-align: center;">
Trailer</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/v6kfFKhfDoM?feature=player_embedded' frameborder='0'></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
First 8 minutes</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/91RwURKFcTc?feature=player_embedded' frameborder='0'></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />
<div style="background-color: white; border: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; line-height: 22px; margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<strong style="background-color: transparent; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Mayan Renaissance” is a feature length documentary which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, five hundred years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. This elegant, beautiful, and thought provoking film will share their vision for the future, their call for a long-foretold renaissance of Maya culture and wisdom, and their 100 year plan to lead humanity forward, from the year 2012 on.</strong></div>
<div style="background-color: white; border: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; line-height: 22px; margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<strong style="background-color: transparent; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The film stars 1992 Nobel Peace Laureate and Maya leader Rigoberta Menchu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, from the heart of the Mayan world.</strong></div>
<div style="background-color: white; border: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; line-height: 22px; margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<strong style="background-color: transparent; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">We finished principal photography for this film in September of 2011, began post-production in October of 2011, and completed post-production in May of 2012. Mayan Renaissance was screened May 16, 2012 at the United Nations in New York City, at the U.N.’s “World Forum on Indigenous Issues.” and was awarded Best Colorado Filmmaker Documentary Award at The Film Festival of Colorado in July of 2012.</strong></div>
<div style="background-color: white; border: 0px; color: #444444; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; line-height: 22px; margin-bottom: 20px; outline: 0px; padding: 0px; vertical-align: baseline;">
<strong style="background-color: transparent; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">This film will be featured on PBS, online, on DVD, and it will also become a permanent part of the PeaceJam Curriculum for students in educational settings worldwide. The PeaceJam Foundation is an international education foundation, led by thirteen inspiring Nobel Peace Prize winners. “Mayan Renaissance” is the first of ten films which will be produced by PeaceJam over the next decade — the Nobel Legacy Film Series, ten films to provide a creative vision from these inspiring Nobel Peace Laureates, for creating a better world.</strong></div>
Anonymoushttp://www.blogger.com/profile/00801502098099702723noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-76432754464721080352013-01-25T03:24:00.000-08:002013-01-25T03:24:14.144-08:00"Game Over" Interview with South African actress Sarah Kozlowski<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxj1QadpPYQQ0KXwNgBwu_EnitZLZYdTm-VNwlLmAAYeatRG1ZpAxZbvtpfBRe-fpa2b2B0-smsajMSSSg436nSaeG03rbaOHwH3tWPNON2behAa_xfIFWT05AIRDFJjz-KvSpiNDkm-F/s1600/sarahkoz.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" oea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFxj1QadpPYQQ0KXwNgBwu_EnitZLZYdTm-VNwlLmAAYeatRG1ZpAxZbvtpfBRe-fpa2b2B0-smsajMSSSg436nSaeG03rbaOHwH3tWPNON2behAa_xfIFWT05AIRDFJjz-KvSpiNDkm-F/s200/sarahkoz.jpg" width="136" /></a></div>
<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">
<em>1) Game Over is the first movie about pickup artists. How do you feel about the topic?<br /></em>I have heard about pick up artists that incorporate lying and seducing woman in order to financially gain from them. This story highlights an ever more dangerous type, the ones that do it in order to satisfy various addictions to power and sex. The emotional damage some woman have suffered by these men is just as dangerous as physical abuse. <br /><br /><em>2) Do you think people can relate to the movie? </em><br />Absolutely, there are so many degrees of manipulation that any girl or woman would be able to relate to this story, even if their story was not as severe as Gloria's in the film. It also applies to men suffering from betrayal at the hands of woman!<br /><br /><em>3) How would you describe the atmosphere on set? </em><br />Everyone was so happy to be there. It was very inspiring to watch the attention to detail that the creators had paid to every element of the making of this movie! It is also hilarious watching dancers rehearse for the 100th time to get a routine just right!</div>
<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Ljskc8ygE6vGtXAxRvYH1WeExXf6B1KXEB8XwM7YoZR8KFWcj7BYsfKi_svHN-lg-sKyruNHpKkbx-T2alIDXYy7u_wrDTDUzVMDnPnWTAnEHW1rAx42rmxJdMqPARSGORgxbbkK_QsB/s1600/sarah+and+leonie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" oea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Ljskc8ygE6vGtXAxRvYH1WeExXf6B1KXEB8XwM7YoZR8KFWcj7BYsfKi_svHN-lg-sKyruNHpKkbx-T2alIDXYy7u_wrDTDUzVMDnPnWTAnEHW1rAx42rmxJdMqPARSGORgxbbkK_QsB/s320/sarah+and+leonie.jpg" width="320" /></a></div>
<div style="border-bottom: medium none; border-left: medium none; border-right: medium none; border-top: medium none;">
<br /><br /><em>4) Is this your first musical film? What makes it special in comparison to other dance movies or musical films? </em><br />Most other musicals focus mainly on the entertainment element and lack in the story and message department! This film has it all.</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />LeonieThoenehttp://www.blogger.com/profile/03139863399431003724noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-48790847266060451832013-01-25T02:23:00.002-08:002013-01-25T02:31:14.241-08:00Expendable: A Political SacrificeThis documentary film demonstrates what happens when an individual's human rights conflict with strategic political need.
<br />
<br />
It is a unique production. Every abuse, every comment, every sentence, is proven via the publication of government cables and materials made available for public scrutiny <a href="http://www.expendable.tv/">on the Expendable.TV website</a>.
<br />
<br />
The trailer can be viewed directly below. The full film can be viewed further down this page.
<br />
<br />
Expendable is the fruit of four years of intensive research through a team spanning four continents, many man years of analysis, scrutiny of countless thousands of government documents (some of them classified) and the use of hundreds of verified sources.
<br />
<br />
<b>EXPENDABLE: THE TRAILER
</b><br />
<br />
<center>
<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/lIvAdPnY6mo?rel=0" width="480"></iframe>
</center>
<br />
<br />
<b>EXPENDABLE: THE MOVIE
</b><br />
<br />
<center>
<iframe allowfullscreen="" frameborder="1" height="360" src="http://www.youtube.com/embed/-StnQvFAXtM?rel=0" width="480"></iframe>
</center>
<br />
<br />
To this day, Schapelle Corby remains incarcerated in Keroboken prison, Indonesia. She remains diagnosed as mentally ill and is sustained by strong psychotic medication. She survived an overdose last year, and is now in her ninth year of incarceration.
<br />
<br />
This film is commended to you, as a true political horror story, which is still unfolding today.
<br />
<br />
<br />
<br />
<br />
<br />Anonymoushttp://www.blogger.com/profile/01320623184625323501noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-17872489746515518522013-01-24T23:26:00.002-08:002013-01-24T23:26:16.870-08:00"Game Over" Directors Statement <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLhfzvSJUHaRScciQsQoVGk7SD_kKDvw5KUwh6sDIp8Q0XmrWjn27hkD4lYl-2JozaszrX7B2OpEJwHQ2Q2Ac5voxGIhPRy1fKAMkaoND-H_PCRN7Xn8UbD-mQhifN1o6bheB2OawiqDir/s1600/MichaelRoud13.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" oea="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLhfzvSJUHaRScciQsQoVGk7SD_kKDvw5KUwh6sDIp8Q0XmrWjn27hkD4lYl-2JozaszrX7B2OpEJwHQ2Q2Ac5voxGIhPRy1fKAMkaoND-H_PCRN7Xn8UbD-mQhifN1o6bheB2OawiqDir/s320/MichaelRoud13.jpg" width="213" /></a></div>
<br />
<span class="formA">As an artist I started travelling around the world very early and met a lot of versatile and extraordinary people. I was fascinated by human relationships, special communities, underground movements and social interaction and that led to my study in sociology. Shortly before I started writing my master thesis I met a guy whose behavior seemed irritating, strange and as if he was reciting a speech or a theatrical pattern. My interest was captured and I started researching things he did and said. That’s how I found out about the secret community of pickup artists. <br /><br />The pickup artists see themselves professional seducers. They train manipulative and psychological techniques to seduce women. It’s a whole industry of coaches, internet forums, local groups, books, internet forums. They use their own vocabulary and the more women you “lay” the higher you get in the hierarchy. I wrote my master thesis about “pua’s” and when my studies were published there was a huge public awareness. Newspapers, tv networks, radio stations and magazines wrote about me and my studies. <br /><br />The pua’s reacted with lots of hate mails, threats and insulting phone calls. Yet, I still started working on my PhD about pickup artists in 2012. Because I am not only a researcher but also an artist I wanted to express my knowledge about the community in an artificial way, too. I wanted to inform people about the existence of puas, make them see the phenomenon through a young girls eyes. That was when I started working on a theater play and later on a screenplay for Game Over and wrote the story of Gloria and Julien. <br /></span>LeonieThoenehttp://www.blogger.com/profile/03139863399431003724noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-42093737009395505152013-01-24T16:54:00.000-08:002013-01-25T16:30:13.393-08:00Trailer: ARCANE, directed by Bastien Belvaux<iframe src="http://player.vimeo.com/video/46924640" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
Constantly running away in a world that doesn't accept him, a man will have to find, in the depths of himself, a way to turn his difference into a strength. He will then be able to stop hiding.<br />
<br />
Directed by Bastien Belvaux.Anonymoushttp://www.blogger.com/profile/15015576844789104289noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-52756122549290502532013-01-24T12:00:00.000-08:002013-01-24T12:50:16.550-08:00Trailer "Game Over" (written, produced & directed by Leonie Viola Thoene) <div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/lQJwpqGP--I?feature=player_embedded' frameborder='0'></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<span class="formA">Its about a game. A game of manipulation and love, power and show business. Its Magnolia meets High School Musical. Fight Club meets Black Swan. A story of a secret seduction community called pickup artists, a web of crucial plans, use and betrayal behind the curtain of the dazzling and colorful world of music, dance and theater. Its about a guy who is hiding a secret and invented the rules when playing with peoples minds. And the story of an innocent and gifted girl searching for the truth and finding her voice. A musical trip that will make you wonder whats real, who's faking and who's crazy. </span></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
Starring</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
Derrick Redford (Julien Michaels)</div>
<div class="separator" style="clear: both; text-align: center;">
Leonie Viola Thoene (Gloria Johnson)</div>
<div class="separator" style="clear: both; text-align: center;">
Christopher Cass (Adam Johnson)</div>
<div class="separator" style="clear: both; text-align: center;">
Preston Mui (Gordon)</div>
<div class="separator" style="clear: both; text-align: center;">
Sarah Kozlowski (Ms. Hurt)</div>
<div class="separator" style="clear: both; text-align: center;">
Marina Dishka (Brianna)</div>
<div class="separator" style="clear: both; text-align: center;">
Kim Romano (Amanda)</div>
<div class="separator" style="clear: both; text-align: center;">
Patrick Ferroni (Josh)</div>
<div class="separator" style="clear: both; text-align: center;">
Ondina Frate (Betsy)</div>
<div class="separator" style="clear: both; text-align: center;">
John Combs (Philipp)</div>
<div class="separator" style="clear: both; text-align: center;">
Natasha Marcuse (Violet Johnson)</div>
<div class="separator" style="clear: both; text-align: center;">
Jaime Venum Burgos (Bboy)</div>
<div class="separator" style="clear: both; text-align: center;">
Jonathan Legacy Perez (Bboy)</div>
<div class="separator" style="clear: both; text-align: center;">
Oren Flearock Michaeli (Bboy)</div>
<div class="separator" style="clear: both; text-align: center;">
Dave Birr (Dancer)</div>
<div class="separator" style="clear: both; text-align: center;">
Angela Gacad (Dancer)</div>
<div class="separator" style="clear: both; text-align: center;">
Morgan Nagatani (Dancer)</div>
<div class="separator" style="clear: both; text-align: center;">
Tomas Protivinski (Dancer)</div>
<div class="separator" style="clear: both; text-align: center;">
Paulina Pulido (Dancer) </div>
<div class="separator" style="clear: both; text-align: center;">
Arielle Fernandez (Alice)</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
Director of Photography - Tobias Deml</div>
<div class="separator" style="clear: both; text-align: center;">
Video Editor - David Schenk</div>
<div class="separator" style="clear: both; text-align: center;">
Music Editor - Alex Niedt </div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
LeonieThoenehttp://www.blogger.com/profile/03139863399431003724noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-60854719771987638642013-01-24T11:12:00.000-08:002013-01-24T11:12:26.878-08:00Bidder 70Bidder 70 is the story of Tim DeChristopher, a University of Utah
student, who on December 19, 2008, halted the outgoing Bush
administration’s controversial Bureau of Land Management oil and gas
lease sale, bidding 1.8 million dollars to save 22,000 pristine acres
around Utah’s National Parks. Tim had no intention to pay or drill; now
he’s paying for it with his future. <br />
<br />
Check out Bidder 70's trailer here: <br />
<br />
<a href="http://vimeo.com/17927160" target="_blank">http://vimeo.com/17927160</a><br />
<br />Bidder 70http://www.blogger.com/profile/00085526404553158265noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-46394683329093709492013-01-24T11:09:00.000-08:002013-01-24T11:10:39.767-08:00The Fourth World [A Billion People At the Bottom of the Pile]<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dw6zRKDfEvofYmCvPhXrRpIlGtCQu00jnQG-XmQllBjVCv854OVmGc6h5jJz-ZqFQhiZzLE11ywtQhSmPNULg' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
</o:OfficeDocumentSettings>
</xml><![endif]--><br />
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>EN-US</w:LidThemeOther>
<w:LidThemeAsian>KO</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="267">
<w:LsdException Locked="false" Priority="0" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" Priority="39" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" Name="toc 9"/>
<w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" Priority="10" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" Priority="11" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" Priority="22" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" Priority="59" SemiHidden="false"
UnhideWhenUsed="false" Name="Table Grid"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
</w:LatentStyles>
</xml><![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:"Calibri","sans-serif";
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-fareast-language:EN-US;}
</style>
<![endif]-->
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">First World. Second World. Developing World … Slums.</span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">There's a hidden world out there that is getting ready to explode: <span style="mso-spacerun: yes;"> </span>The world of slums. </span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">A seething mass of humanity--1 billion people--inhabits this hidden
world and if the United Nations is right--that number will triple in the years
to come.</span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Who are these people and what are these slums? Are they a danger? A
menace? Or are slums a breeding ground for entrepreneurs? A transition point
for people on a desperate journey from poverty to middle-class respectability?</span></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The
Fourth World</span></i><span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;"> takes you inside slums on three continents to meet individuals
caught up in the largest people migration in the history of the world.
Understanding 'a billion people' is almost impossible, but meeting a handful of
slum dwellers strips away the statistic and begins the process of building
understanding. </span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Journey with the filmmakers to Guatemala, Kenya and the Philippines
to meet slum dwellers. Listen to published experts--leaders in their fields
from three more continents--as they bring understanding to the 'why' of slums,
and foreshadow what's going to happen if the world ignores this social powder
keg much longer. </span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">Mark Volkers has won multiple national and international awards for
his work. He has filmed in more than 20 countries over the past 15 years and
brings his unique storytelling style to this powerful documentary film about
how one in six human beings live. </span></div>
<div class="MsoNormal">
<span style="font-family: "Times","serif"; font-size: 14.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi;">The stories are real. The implications of turning a blind eye to
this situation are real. We ignore this at our own peril.</span></div>
<div class="MsoNormal">
<br /></div>
<span style="font-family: "Times","serif"; font-size: 14.0pt; mso-bidi-font-family: "Times New Roman";">Run Time: 54 minutes</span><br />
Anonymoushttp://www.blogger.com/profile/11963204157629490840noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-43520536481185495052013-01-24T07:47:00.002-08:002013-01-24T07:47:52.052-08:00Inner Worlds, Outer Worlds (2012) - Trailer<h2 style="text-align: center;">
<b>Inner Worlds, Outer Worlds</b></h2>
<div style="text-align: center;">
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/08CnDSQelNg" width="480"></iframe><br />
<br />
There is one vibratory field that connects all things. It has been called Akasha, Logos, the primordial OM, the music of the spheres, the Higgs field, dark energy, and a thousand other names throughout history. The ancient teachers taught Nada Brahma, the universe is vibration. The vibratory field is at the root of all true spiritual experience and scientific investigation. It is the same field of energy that saints, Buddhas, yogis, mystics, priests, shamans and seers have observed by looking within themselves. In today's society, most of humanity has forgotten this ancient wisdom. We have strayed too far into the realm of thinking; what we perceive to be the outer world of form. We have lost our connection to our inner worlds. This balance, what the Buddha called the middle way, what Aristotle called the golden mean, is the birthright of every human being. It is the common link between all religions, and the link between our inner worlds and our outer worlds. Check out <a href="http://www.innerworldsmovie.com/">www.innerworldsmovie.com</a> for more.</div>
InnerWorldsOuterWorldshttp://www.blogger.com/profile/05325298825749910858noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-68327137799516804902013-01-24T02:55:00.001-08:002013-01-24T02:55:45.150-08:00Trailer: Finding Your VoiceThe Finding Your Voice film is designed to promote discussion and help children make healthy choices when faced with challenging situations. Happy to receive the 7th Surge Film Fest Award I would like to acknowledge the hard work, professionalism and creative commitment of both the cast and crew without which this film would not have been made. They include Peter Wigand, Amy Dzambo, Yazzie Gabler-Alonzo, Haidyn Harvey, Henry Venrick, Eve Cohen, Austen Martinez, Michelle Guasto, Chris Canfield, Devon Orand and Dustin Lawrence<span style="color: #232323; font-family: Courier;"><span style="font-size: 12px;"><b>.</b></span></span><br />
<span style="color: #232323; font-family: Courier;"><span style="font-size: 12px;"><b><br /></b></span></span>
<span style="color: #232323; font-family: Courier;"><span style="font-size: 12px;"><b><a href="http://vimeo.com/49572178">http://vimeo.com/49572178</a></b></span></span>Jim Seahttp://www.blogger.com/profile/11390643948520052801noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-77100684256580455352013-01-23T17:15:00.000-08:002013-01-23T17:15:18.563-08:00Ivory Heart, a feature film, by Wendell Charles NeSmith<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.blogger.com/"></a><span id="goog_870570738"></span><span id="goog_870570739"></span><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/JbW7XHWOISo?feature=player_embedded' frameborder='0'></iframe></div>
Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-37865944890241592452013-01-23T16:51:00.002-08:002013-01-23T16:51:22.393-08:00Human Skab: The Accolade Award-Winning Documentary<iframe width="500" height="300" src="http://www.youtube.com/embed/eYaun6vRg0g" frameborder="0" allowfullscreen></iframe>
<br><br>
This film tells the poignant story of <a href="http://humanskab.com/">Human Skab</a> and its front man, Travis Roberts, who led the group as a young child since 1986, accompanied by his siblings, friends, and cousin Frankie (co-director Frank Gunderson). The music that they created and recorded in the late 1980s as a result of the boy's adventures and creative explorations gathered a dedicated following in the cassette underground. After two years of making music, life caught up to young Travis. He finished school, grew up, and joined the army, serving as a soldier and contractor in Egypt, Kosovo, and Afghanistan.
<br><br>
'I'm not doin' this for the money, I'm on a mission,' Travis once said in a 1987 interview with <i>SPIN</i> magazine. 'I have a message for the world. It's not just playin' guitars good that is important. It's all the things that you do.' Rife with amazing synchronicities, Travis's music, both old and new, not only provides a powerful creative vision of American society, but offers a wealth of insight to present politics, 'outsider music,' life as a war veteran, and personal healing.
<br><br>
Three years in the making, our film documents Travis's story as he reconnects with the music he created as a young child in 1986. After serving in the military and then returning home, Travis decided to reconstruct the band and continue the message of his music. Human Skab held their first reunion tour in December 2009, with bassist Matt Love and drummer Bret (co-director Bret Woods). We realized rather quickly that the process of Travis's musical reunion was a story that needed to be told, so we gathered camera equipment and recorded footage throughout the entirety of our rehearsals and tour. During the tour, it became more apparent that the story was not simply a band ethnography and reunion, but a reclamation and remembrance; our film is an eye-opening narrative about a veteran's post-war experience and personal healing.
<br><br>
About Human Skab as both a performance group and a concept, Travis noted: "The thing that appealed to me about playing music both when I was young as well as now is that within my music I find a freedom unparalleled within the confines of everyday American life. Since pre-history music has played an integral part in the human experience. Not just listening to music but creating it. Unfortunately, capitalism has stolen this aspect of humanity from most people living behind the bars of consumerist systems. If you want music, just pop in a CD or turn on your IPOD. Let the pros make the tunes. In my house we are taking music back." Our film making approach follows this aesthetic as a mash-up of cinéma vérité and vaudeville: we follow the action as it happens; if you don't like what you see, wait thirty seconds and then you will.
<br><br>
Visit our website, <a href="http://humanskab.com/">humanskab.com</a>, to read more about the film, the band, and the music. You can also find <a href="http://www.youtube.com/user/HumanSkab">Human Skab</a> and <a href="http://www.youtube.com/user/OddFreakFilms">OddFreak Films</a> on YouTube.
<br><br>OddFreak Filmshttp://www.blogger.com/profile/11575055787379293755noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-64890615431870282872013-01-22T15:13:00.003-08:002013-01-22T15:13:56.022-08:00Stand Down Soldier, a feature film, by Jeryl Prescott Sales<iframe width="560" height="315" src="http://www.youtube.com/embed/X-cfa5Gt4to?rel=0" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-84329229718883167572012-10-14T22:13:00.002-07:002012-10-14T22:13:31.120-07:00'Dead Man Walking' Author to speak in West Des Moines<img alt="" src="http://o2.aolcdn.com/dims-shared/dims3/PATCH/resize/273x203/http://hss-prod.hss.aol.com/hss/storage/patch/d0e0f04c94dd1f6694ee4fb2591c2938" /><br />
<br />
<a href="http://www.sisterhelen.org/biography/">Sister Helen Prejean</a>, the author of <a href="http://www.sisterhelen.org/donate/">Dead Man Walking: An Eyewitness Account of the Death Penalty</a>, will make a special guest appearance next week as with Dowling Catholic High School students stage a play based on her book.<br /><br />On
Tuesday, she’ll make a presentation to junior class members who will
have read her book, and then have lunch with the cast of the school
play. That evening, she will speak at an open house for the general
public, from 6 to 7:15 p.m., prior to the 7:30 p.m. Dowling production
of the play.<br />
<br />
"We are very excited to have Sr. Helen Prejean visit and present to our
students and the community. She has a powerful message and life story
that I believe will connect with and inspire us. Having the students
read the book and then see the book acted out in the play gives power to
her message. Sister's message of love and forgiveness should resonate
with all," Jerry Deegan, Dowling Catholic High School president said in
a news release.<br />
<br />
<a href="http://westdesmoines.patch.com/articles/anti-death-penalty-dead-man-walking-author-coming-to-west-des-moines">Read More</a><br />
<br />
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="display: inline !important; text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-57257169167400823482012-10-14T22:04:00.000-07:002012-10-14T22:04:28.140-07:00Botswana court grants women the right to inherit<img alt="A San woman pictured at the Botswana Bushmen resettlement town of New Xade, a few kilometres away from Botswana s Central Kalahari Grand Reserve (CKGR) in September 2005. In a landmark ruling Botswana s High Court on Friday gave women inheritance rights for the first time, up-ending a male-dominated system that had prevailed in the thriving African nation." class="printer-image" src="http://l.yimg.com/fv/xp/afp/20121013/01/2402184702.jpg?x=292&sig=QlzTAglzqHhebySB8R_wUQ--" /><br />
<br />
<br />
GABORONE, Botswana (AFP) - In a landmark ruling Botswana's High Court
on Friday affirmed women's inheritance rights for the first time,
up-ending a male-dominated system that had prevailed in the thriving
African nation.<br />
<br />
The court ruled that local customary laws --
giving the youngest-born son rights to inherit the family home -- are
not in line with the country's constitution, which guarantees gender
equality.<br />
<br />
<br />
"It seems to me that the time has now arisen for the justices of this
court to assume the role of the judicial midwife and assist in the
birth of a new world struggling to be born," said Justice Key Dingake.<br />
<br />
"Discrimination
against gender has no place in our modern day society," he said, urging
the government to take all discriminatory laws off the statute books.<br />
<br />
<a href="http://au.news.yahoo.com/thewest/a/-/world/15109041/botswana-court-grants-women-inheritance-rights/">Read More</a><br />
<br />
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<br />
<br />
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-57812405361308712822012-10-14T21:55:00.001-07:002012-10-14T21:55:32.705-07:00Five reasons to eat Organic Apples<img alt="" class="alignright size-medium wp-image-159 dimensions_initialized" data-orig-height="246" data-orig-width="300" height="246" src="http://blogs-images.forbes.com/bethhoffman/files/2012/04/Apple-300x246.jpg" style="position: relative;" width="300" /><br />
<br />
<br />
There are good reasons to eat organic and locally raised fruits and
vegetables. For one, they usually taste better and are a whole lot
fresher. Yet most of us can’t afford to buy all our food at the
farmer’s market or natural foods store, and in many places, locally
produced and organic foods are a struggle to find.<br />
So if you can only buy a few organic fruits and vegetables – which
should should it be? Which single piece of produce could have the
greatest impact on agriculture, the environment and your family’s
health, all at once?<br />
<br />
The data says: apples<br />
<br />
<a href="http://www.forbes.com/sites/bethhoffman/2012/04/23/five-reasons-to-eat-organic-apples-pesticides-healthy-communities-and-you/">Read More</a><br />
<br />
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<br />
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-37223140742177745532012-10-14T21:46:00.002-07:002012-10-14T21:46:45.293-07:00BullyingCanada may close after November<img alt="BullyingCanada co-founder and co-executive director Rob Frenette says the organization doesn't have enough cash flow to operate at full capacity for the month of November." height="112" src="http://www.cbc.ca/gfx/images/news/photos/2012/02/09/nb-rob-frenette-220.jpg" width="200" /><br />
<br />
An anti-bullying organization says it will cease to operate next month unless it receives donations from the public.<br />
<br />BullyingCanada, a nationally-registered charitable organization based in Fredericton, currently provides a 24/7 telephone support network, anti-bullying workshops and a scholarship program for youth.<br /><br />“Without the financial support of citizens across Canada, we simply will not be able to keep up operations," co-founder and co-executive director Rob Frenette stated in a release.<br /><br /><a href="http://www.cbc.ca/news/canada/new-brunswick/story/2012/10/12/nb-bullying-canada-donations.html">Read More</a><br />
<div style="border: 0px; color: #333333; font-family: Arial, sans-serif; font-size: 14px; line-height: 18.883333206176758px; margin-bottom: 14px; outline: 0px; padding: 0px; vertical-align: baseline;">
<b style="color: black; font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b></div>
<div style="text-align: left;">
<b style="color: black; font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<br />
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-53923855322227015602012-10-14T21:38:00.000-07:002012-10-14T21:43:47.550-07:00Pakistani Child Rights Icon injured by Taliban Attack<img height="180" src="http://gdb.rferl.org/81A6B2D7-5F16-4DAD-B058-866B93FEA54A_w640_r1_s.jpg" width="320" /><br />
<br />
The Taliban has claimed responsibility for an attack against a Pakistani schoolgirl who gained international fame for writing diaries about Taliban atrocities and attending school despite hard-line threats.<br /><br />Malala Yousafzai is in critical condition after one or more attackers opened fire on her school van.<br /><br />Essa Khankhel, a local journalist, told RFE/RL's Radio Mashaal that Yousafzai was targeted on October 9 while returning home from school in Saidu Sharif, the capital of the northwestern Swat district.<br /><br />Reports suggest one assailant asked which child was Yousafzai before opening fire.<br /><br />In claiming responsibility, the Taliban called Yousafzai's work "obscenity."<br /><br /><div>
<a href="http://www.rferl.org/content/pakistani-child-rights-icon-yousafzai-injured-attack-on-school-bus/24733515.html">Read More</a><br /><div>
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">
</b></div>
</div>
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-59834466683519276522012-10-14T21:28:00.000-07:002012-10-14T21:28:11.980-07:00Organic Solar Cells hold high potential with portable electronics<img height="212" src="http://c1greenbuildingelementscom.wpengine.netdna-cdn.com/files/2012/10/Professor-Tim-Jones.jpeg" width="320" /><br />
<br />
<br />
A new breakthrough in solar technology means portable electronic devices such as e-book readers could soon be re-charged on the move in low light levels and partial shading. Scientists from the University of Warwick, in collaboration with spin-out company Molecular Solar, have created an organic solar cell that generates a sufficiently high voltage to recharge a lithium-ion battery directly, without the need to connect multiple individual cells in series. Modules of these high voltage cells perform well in different light conditions including partial shade making them well matched to consumer electronic devices such as e-book readers, cameras and some mobile phones.<br />
<br />
<a href="http://greenbuildingelements.com/2012/10/12/organic-solar-cells-with-high-electric-potential-for-portable-electronics/">Read More</a><br />
<br />
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<br />
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-77777450054963341022012-10-13T02:07:00.001-07:002012-10-13T02:07:31.507-07:00Winner of 'Face of Tertiary' pageant embarks on anti-child labor campaign<img alt="Esinam Amegbanu" height="314" src="http://74.54.19.227/GHP/img/pics/54299770.jpg" title="Esinam Amegbanu" width="209" /><br />
<br />
Beautiful winner of 2012 edition of Face of Tertiary pageant, Esinam
Amegbanu, is embarking on an anti-child labour campaign to help curb the
menace of child labour in Ghanaian communities.<br />
<br />
The campaign is dubbed ‘Save A Child TV Documentary’, and it will be in the form of a TV documentary.<br />
<br />
It will be shown twice every week within 15 minutes on some of Ghana’s popular TV stations. There are 26 episodes.<br />
<br />
<a href="http://www.ghanaweb.com/GhanaHomePage/entertainment/artikel.php?ID=252957">Read More</a><br />
<br />
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b><br />
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.comtag:blogger.com,1999:blog-619963998881313333.post-51701241979011815722012-10-13T01:45:00.001-07:002012-10-13T01:45:31.468-07:00Man searches for stories behind faces of child labor photos<embed allowfullscreen="true" allowscriptaccess="always" background="#333333" flashvars="si=254&&contentValue=50131956&shareUrl=http://www.cbsnews.com/8301-18563_162-57519853/mass-man-searches-for-stories-behind-century-old-child-labor-photos/" height="279" salign="lt" scale="noscale" src="http://cnettv.cnet.com/av/video/cbsnews/atlantis2/cbsnews_player_embed.swf" type="application/x-shockwave-flash" width="425"></embed>
<br />
<br />
<br />
<div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 18px; padding: 0px; vertical-align: baseline;">
Photographer Lewis Hine is well known for his iconic pictures of workers high atop the Empire State Building. But before becoming famous for snapping pictures above the streets of New York, Hine worked as an anti-child labor investigator.</div>
<div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 18px; padding: 0px; vertical-align: baseline;">
Between 1908 and 1924, Hine worked for a private advocacy organization, The National Child Labor Committee. Over the course of 16 years, he took more than 5,000 pictures of children working, often illegally, in mills and mines across the United States.</div>
<div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 18px; padding: 0px; vertical-align: baseline;">
The photos were meant to shock Americans into reforming child labor laws. Almost 75 years after labor reform was enacted though, one man is still haunted by the photos.</div>
<div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 18px; padding: 0px; vertical-align: baseline;">
<a href="http://www.cbsnews.com/8301-18563_162-57519853/mass-man-searches-for-stories-behind-century-old-child-labor-photos/">Read More</a></div>
<div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 18px; padding: 0px; vertical-align: baseline;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;"></b></div>
<div style="text-align: left;">
<b style="font-family: Jokerman; font-size: 23px; line-height: 18px; text-align: center;">To learn more about the Annual International Social Uprising Resistance and Grassroots Encouragement (S.U.R.G.E.!) Film Festival please visit: <a href="http://www.wesurge.org/" target="_blank">www.WeSurge.org</a></b></div>
<br />
..http://www.blogger.com/profile/11992365240032553474noreply@blogger.com